from many sides highlights intuitive connections to the Caribbean island space; to it’s rich hues, strong contrasts, darkness and light. Portraying these sites of memory, blending stories and myths of a complex and hybrid past, the layered sequences allow the figures, trees and water to transform, merging with the surrounding land.
I am aware of the two strands of privilege I am privy to: the access to new media technology, scholarship and exposure and the insider / outsider position afforded to me by the color of my skin, as well as my gender. The challenge here is to create within yet beyond these constraints, both aware and au fait with these loaded and potentially dangerous situations, aspiring to overturn as many expectations as possible though the content, presentation and substance of the work presented in a Caribbean centered multi-media arts practice.
A staged sequence of a contemporary River Mother (or Mermaid) evokes profound connections across the region by referring to the presence of this shared mythical figure embedded within the region’s cultural space.
The elemental, cyclical ebb and flow of Caribbean waters sifts through layers of inherited histories, painting the physicality of time through light, colors, textures and sounds from nature. This ephemeral audio-visual blend offers an immersive experience in the liquid and fantasy space of the screen.